Ou can launch a clip with real-time time-stretching grab, pinch and edit waveforms and apply effects directly with the swipe of a finger. The screen utilises the easy functionality of a phone or tablet screen, so you can gently touch the screen in an instinctive, natural manner. This addition, not normally seen on the brand’s music production centre, truly defines the model as a standalone, easy-to-use design. It also provides CV/Gate outputs for controlling modular gear, plus four MIDI inputs and two MIDI outputs so that you can connect it to your computer if you so wish.Īnother feature we love has to be the multi-touch, full colour screen. Its standalone functionality does not mean that the model is not also ultra-connected thanks to its turntable connectors and two USB 3.0 ports. Instead, the standalone model achieves everything that you would expect from a computer. Gone are the days of lugging around your laptop alongside your music centre or attaching yourself your immovable computer.
Our favourite feature of the MPC X has to undoubtedly be its standalone, computer free functionality. With the addition of the ‘X’ in the title, Akai has also crossed out the need for a computer by instead designing a music production centre that essentially works alone without the need of a computer.ĭoes this sound too good to be true? Let’s take a closer look. Well, Akai appear to have answered our prayers with the MPC X. While this has brought fantastic features in its own right, we have always dreamed of a standalone music production centre that works alone. Over the years, Akai’s MPC has become increasingly reliant on the use of an external computer to function. Akai Professional MPC X: is it a flash to the future of computer free DJing?Īkai’s MPC's have long set the benchmark for what a music production centre can achieve.
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